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On Mon, 2004-10-25 at 09:33, Lindsay Haisley wrote: |
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> Thus spake Stuart Stegall on Mon, Oct 25, 2004 at 10:19:47AM CDT |
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> > The real problem is that all of the rippers on linux are complete crap |
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> > compared to the rips with EAC or PlexTools. |
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> |
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> Has anyone gotten really serious about developing a professional quality |
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> studio suite for Linux, e.g. Protools or any of the other pacakges that run |
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> on the Mac, or even on Windows, for professional studio work? Even if it |
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> were commercial software, it would be a big step forward for Linux. |
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> |
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> Most of the bleeding edge Linux audio processing software I see is developed |
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> by and for geeks, is fairly obvioiusly still in the development phase, and |
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> often has been there for years ;-) Mixers (including most mixer UIs in ALSA |
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> that I've seen) are not user friendly. Other stuff is buggy, noisy, |
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> unstable, or unusable for some other reason, often because the UI is so |
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> completely at odds with what a studio engineer would expect and be able to |
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> grok without taking a crash course in under-the-hood Linux. |
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Amen, brother! There are open-source geekish projects like AGNULA |
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(www.agnula.org -- Debian based :() and Planet CCRMA, but there are big |
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bucks behind the status quo, which is Macintosh. Go into *any* music |
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store and look at what real musicians actually buy. Macintosh |
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compatible. |
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|
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I took David Cope's Algorithmic Composition Workshop this summer at |
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University of California Santa Cruz. Macintosh, MAX/MSP now runs on |
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Windows. Finally. Ten, twenty years since it came out right? -- on the |
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Macintosh, |
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|
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So ... what to do? I've come within inches of buying a Macintosh so many |
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times these many years -- somehow I never do. What will need to happen |
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for Linux audio to go mainstream is that some big-name rock musician |
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will have to adopt it. It's not just the sucky audio quality and the |
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sucky user interfaces -- it's about money, really. |
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-- |
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