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commit: a1dc5fbeae0dc98cca76ae64ea008a3edcbfcc29 |
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Author: Ulrich Müller <ulm <AT> gentoo <DOT> org> |
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AuthorDate: Sun Jun 27 07:25:21 2021 +0000 |
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Commit: Ulrich Müller <ulm <AT> gentoo <DOT> org> |
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CommitDate: Sun Jun 27 07:26:52 2021 +0000 |
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URL: https://gitweb.gentoo.org/repo/gentoo.git/commit/?id=a1dc5fbe |
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|
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licenses: Remove deprecated FreeArt license |
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|
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Use Free-Art-1.2 or Free-Art-1.3 instead. |
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|
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Signed-off-by: Ulrich Müller <ulm <AT> gentoo.org> |
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|
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licenses/FreeArt | 221 ------------------------------------------------ |
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profiles/license_groups | 3 +- |
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2 files changed, 1 insertion(+), 223 deletions(-) |
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|
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diff --git a/licenses/FreeArt b/licenses/FreeArt |
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deleted file mode 100644 |
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index 8a6de22f1ad..00000000000 |
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--- a/licenses/FreeArt |
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+++ /dev/null |
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@@ -1,221 +0,0 @@ |
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-Free Art License |
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- |
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- |
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-[ Copyleft Attitude ] |
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- |
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-version 1.2 |
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- |
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-Preamble : |
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- |
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-With this Free Art License, you are authorised to copy, distribute and freely |
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-transform the work of art while respecting the rights of the originator. |
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- |
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-Far from ignoring the author's rights, this license recognises them and |
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-protects them. It reformulates their principle while making it possible for the |
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-public to make creative use of the works of art. Whereas current literary and |
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-artistic property rights result in restriction of the public's access to works |
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-of art, the goal of the Free Art License is to encourage such access. |
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- |
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-The intention is to make work accessible and to authorise the use of its |
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-resources by the greatest number of people: to use it in order to increase its |
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-use, to create new conditions for creation in order to multiply the |
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-possibilities of creation, while respecting the originators in according them |
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-recognition and defending their moral rights. |
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- |
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-In fact, with the arrival of the digital age, the invention of the Internet and |
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-free software, a new approach to creation and production has made its |
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-appearance. It also encourages a continuation of the process of experimentation |
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-undertaken by many contemporary artists. |
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- |
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-Knowledge and creativity are resources which, to be true to themselves, must |
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-remain free, i.e. remain a fundamental search which is not directly related to |
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-a concrete application. Creating means discovering the unknown, means inventing |
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-a reality without any heed to realism. Thus, the object(ive) of art is not |
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-equivalent to the finished and defined art object. This is the basic aim of |
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-this Free Art License: to promote and protect artistic practice freed from the |
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-rules of the market economy. |
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- |
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-——– DEFINITIONS |
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- |
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-- The work of art : A communal work which includes the initial artwork as well |
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- as all subsequent contributions (subsequent originals and copies). It is |
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-created at the initiative of the original artist who, by this license, defines |
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-the conditions according to which the contributions are made. |
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- |
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-- The original work of art : This is the artwork created by the initiator of |
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- the communal work, of which copies will be modified by whosoever wishes. |
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- |
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-- Subsequent works : These are the additions put forward by the artists who |
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- contribute to the formation of the work by taking advantage of the right to |
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-reproduction, distribution and modification that this license confers on them. |
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- |
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-- The Original (the work's source or resource) : A dated example of the work, |
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- of its definition, of its partition or of its program which the originator |
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-provides as the reference for all future updatings, interpretations, copies or |
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-reproductions. |
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- |
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-- Copy : Any reproduction of an original as defined by this license. |
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- |
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-- The author or the artist of the original work of art: This is the person who |
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- created the work which is at the heart of the ramifications of this modified |
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-work of art. By this license, the author determines the conditions under which |
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-these modifications are made. |
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- |
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-- Contributor: Any person who contributes to the creation of the work of art. |
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- He is the author or the artist of an original art object resulting from the |
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-modification of a copy of the initial artwork or the modification of a copy of |
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-a subsequent work of art. |
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- |
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-——– |
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- |
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-1. AIMS |
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- |
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-The aim of this license is to define the conditions according to which you can |
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-use this work freely. |
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- |
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-2. EXTENT OF THE USAGE |
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- |
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-This work of art is subject to copyright, and the author, by this license, |
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-specifies the extent to which you can copy, distribute and modify it. |
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- |
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-2.1 FREEDOM TO COPY (OR OF REPRODUCTION) |
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- |
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-You have the right to copy this work of art for your personal use, for your |
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-friends or for any other person, by employing whatever technique you choose. |
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- |
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-2.2 FREEDOM TO DISTRIBUTE, TO INTERPRET (OR OF REPRESENTATION) |
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- |
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-You can freely distribute the copies of these works, modified or not, whatever |
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-their medium, wherever you wish, for a fee or for free, if you observe all the |
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-following conditions: |
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-- attach this license, in its entirety, to the copies or indicate precisely |
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- where the license can be found, |
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-- specify to the recipient the name of the author of the originals, |
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-- specify to the recipient where he will be able to access the originals |
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- (original and subsequent). The author of the original may, if he wishes, give |
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-you the right to broadcast/distribute the original under the same conditions as |
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-the copies. |
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- |
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-2.3 FREEDOM TO MODIFY |
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- |
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-You have the right to modify the copies of the originals (original and |
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-subsequent), partially or otherwise, respecting the conditions set out in |
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-article 2.2 , in the event of distribution (or representation) of the modified |
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-copy. The author of the original may, if he wishes, give you the right to |
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-modify the original under the same conditions as the copies. |
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- |
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-3. INCORPORATION OF ARTWORK |
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- |
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-All the elements of this work of art must remain free, which is why you are not |
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-allowed to integrate the originals (originals and subsequents) into another |
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-work which would not be subject to this license. |
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- |
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-4. YOUR AUTHOR'S RIGHTS |
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- |
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-The object of this license is not to deny your author's rights on your |
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-contribution. By choosing to contribute to the evolution of this work of art, |
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-you only agree to give to others the same rights with regard to your |
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-contribution as those which were granted to you by this license. |
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- |
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-5. DURATION OF THE LICENCE |
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- |
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-This license takes effect as of your acceptance of its provisions. The fact of |
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-copying, distributing, or of modifying the work constitutes a tacit agreement. |
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-This license will remain in force for as long as the copyright which is |
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-attached to the work of art. If you do not respect the terms of this license, |
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-you automatically lose the rights that it confers. If the legal status to which |
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-you are subject makes it impossible for you to respect the terms of this |
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-license, you may not make use of the rights which it confers. |
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- |
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-6. VARIOUS VERSIONS OF THE LICENCE |
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- |
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-This license may undergo periodic modifications to incorporate improvements by |
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-its authors (instigators of the "copyleft attitude" movement) by way of new, |
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-numbered versions. |
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- |
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-You will have the choice of accepting the provisions contained in the version |
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-under which the copy was communicated to you, or alternatively, to use the |
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-provisions of one of the subsequent versions. |
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- |
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-7. SUB-LICENSING |
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- |
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-Sub-licenses are not authorized by the present license. Any person who wishes |
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-to make use of the rights that it confers will be directly bound to the author |
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-of the original work. |
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- |
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-8. THE LAW APPLICABLE TO THIS CONTRACT |
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- |
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-This license is subject to French law. |
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- |
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-——– |
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- |
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-DIRECTIONS FOR USE : |
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- |
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-- How to use the Free Art license? |
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- |
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-To benefit from the Free Art License, it is enough to specify the following on |
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-your work of art: |
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- |
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-[- A few lines to indicate the name of the work and to give an idea of what it |
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-is.] [- A few lines to describe, if necessary, the modified work of art and |
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-give the name of the author/artist.] Copyright © [the date] [name of the author |
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-or artist] (if appropriate, specify the names of the previous authors or |
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-artists) Copyleft: this work of art is free, you can redistribute it and/or |
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-modify it according to terms of the Free Art license. You will find a specimen |
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-of this license on the site Copyleft Attitude http://artlibre.org as well as on |
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-other sites. |
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- |
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-- Why use the Free Art license? |
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- |
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-1 / to give the greatest number of people access to your work. |
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- |
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-2 / to allow it to be freely distributed. |
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- |
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-3 / to allow it to evolve by authorising its transformation by others. |
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- |
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-4 / to be able, yourself, to use the resources of a work when it is under Free |
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-Art license: to copy, distribute or transform it freely. |
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- |
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-5 / This is not all: because the use of the Free Art License is also a good way |
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-to take liberties with the marketing system generated by the dominant economy. |
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-The Free Art License offers a useful legal protocol to prevent abusive |
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-appropriation. It will no longer be possible for someone to appropriate your |
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-work, short-circuiting the creative process to make personal profit from it. |
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-Helping yourself to a collective work in progress will be forbidden, as will |
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-monopolising the resources of an evolving creation for the benefit of a few. |
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- |
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-The Free Art License advocates an economy appropriate for art, based on |
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-sharing, exchange and joyful giving. What counts in art is also and mostly what |
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-is not counted. |
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- |
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-- When to use the Free Art License ? |
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- |
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-It is not the goal of the Free Art License to eliminate copyright or author's |
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-rights. Quite the opposite, it is about reformulating the relevance of these |
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-rights while taking today's environment into account. It is about the right to |
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-freedom of movement, to free copying and to free transformation of works of |
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-art. The right to work in freedom for art and artists. |
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- |
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-1 / Each time you want to use or put this right into practice, use the Free Art |
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-License. |
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- |
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-2 / Each time you want to create works which can evolve and be freely copied, |
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-freely distributed and freely transformed: use the Free Art License. |
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- |
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-3 / Each time you want to have the possibility of copying, distributing or |
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-transforming a work: check that it is under Free Art License. If it is not, you |
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-are liable to be breaking the law. |
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- |
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-- To which types of art can the Free Art License be applied? |
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- |
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-This license can be applied to digital as well as to non-digital art. It was |
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-born out of observation of the world of free software and the Internet, but its |
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-applicability is not limited to the digital media. You can put a painting, a |
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-novel, a sculpture, a drawing, a piece of music, a poem, an installation, a |
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-video, a film, a recipe, a CD-rom, a Web site, or a performance under the Free |
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-Art License, in short any creation which has some claim to be a work of art. |
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- |
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-This license has a history: it was born at the meeting " Copyleft Attitude " |
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-which took place at "Accès Local" and "Public" in Paris at the beginning of the |
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-year 2000. For the first time, it brought computer specialists and freeware |
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-activists together with contemporary artists and members of the art world. |
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|
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diff --git a/profiles/license_groups b/profiles/license_groups |
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index 6aadd626e5a..fa61bb1736d 100644 |
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--- a/profiles/license_groups |
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+++ b/profiles/license_groups |
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@@ -74,8 +74,7 @@ BINARY-REDISTRIBUTABLE @FREE Amazon Atmel AVASYS bh-luxi bonnie Broadcom freedis |
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EULA 2dboy-EULA AMD-GPU-PRO-EULA AnyDesk-TOS Aseprite-EULA baudline BCS bestcrypt CAPYBARA-EULA Coherent-Graphics ETQW f.lux FAH-EULA-2014 Flightradar24 Gameplay-Group-EULA geekbench genymotion GIMPS GOG-EULA google-chrome Intel-SDP Introversion JoyPixels LOKI-EULA MakeMKV-EULA Microsemi Microsoft-vscode Mojang microsoft-edge ms-teams-pre MTA-0.5 NVIDIA-CODEC-SDK NVIDIA-CUDA OPERA-2018 Oracle-BCLA-JavaSE PAPERS-PLEASE Primate-Plunge PUEL Q3AEULA-20000111 QUAKE4 Quartus-prime-megacore RAR Sourcetrail SPS Steam supermicro Synology teamspeak3 teamspeak5 TeamViewer THINKTANKS TIK ubiquiti ut2003 ut2003-demo Vivaldi worklog-assistant WPS-EULA zi-labone |
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|
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# Deprecated license labels, used by repoman |
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-# Use Free-Art-1.2 or Free-Art-1.3 instead |
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-DEPRECATED FreeArt |
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+#DEPRECATED (currently none) |
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|
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# Local Variables: |
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# mode: conf-space |